top of page
Barbara Lister-Sink.jpg

Workshop | Barbara Lister-Sink

Freeing the Caged Bird: Developing Well-Coordinated, Injury-Preventative Piano Technique

Pianists of all ages and levels are often frustrated and even tragically hindered by discomfort, pain, and injury related to piano playing. Widely misperceived as unavoidable occupational hazards, these problems often result from accumulated muscle tension, structural imbalance, skeletal misalignment, and misunderstanding of basic biomechanics. Rather than soaring freely, the pianist’s musicality is often a songbird caged inside the body.   Barbara Lister-Sink, internationally recognized pioneer in teaching injury-preventive technique, draws inspiration from the superb technical example of such giants as Arthur Rubinstein, and offers a new look into the heart of piano technique, using a scientifically and pedagogically sound approach.   Lister-Sink clearly defines piano technique as the most efficient, natural coordination of the whole body at the piano. With noted anatomist and movement educator Glenna Batson, internationally recognized Alexander Technique instructor, she shows how the body is designed to work best with the piano. Lister-Sink then demonstrates, explains, and corrects potentially obstructive habits by using her own concise step-by-step-approach for teaching keyboard technique, from the most basic movements and sensations to the most complex technical challenges. Using in-depth, slow-motion analysis of playing on all levels, she demonstrates how well-coordinated piano technique frees the pianist’s artistry from the cage of physical obstacles.

About Barbara Lister-Sink

Barbara Lister-Sink, internationally acclaimed pianist and teacher, is a graduate of Smith College and holds the Prix d'Excellence from the Utrecht Conservatory and an Ed.D. from Columbia University. A former member of the Artist Faculty of the Eastman School of Music, she has collaborated with some of the world's most renowned performers, composers, and in numerous music festivals throughout North America, Europe, and in Australia. Formerly keyboardist for the Royal Concertgebouw Orchestra of Amsterdam, she has also taught on the piano faculties of the Amsterdam Muziek Lyceum, Duke University, and the Brevard Music Center, and currently directs America's first Graduate Certificate Program and Master of Music in Performance and Pedagogy with an Emphasis in Injury-Preventative Keyboard Technique at Salem College in Winston-Salem, North Carolina.

November Workshop

Event Date | November 8, 2024

Event Time | 10:30-11:30am

Location | Elizabeth's Music School, Camas

Fees | FREE to MTACC Members! $20 for Guests

bottom of page